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Gary Hume , the painter , born in 1962, was one of the generation of British artists who graduated from Goldsmiths College, London, and came to prominence in the early 1990s. He first received critical acclaim with a body of work known as the ‘door’ paintings. These minimal and abstracted works, with their high gloss paint and insistent reflective surfaces, developed in the early 1990s into a more fluid and lyrical way of painting. Whilst retaining the surface quality and the flat economic language, his subject matter broadened to incorporate images from popular culture, making portraits of celebrity figures such as Tony Blackburn, Kate Moss and Patsy Kensit. Hume first came to public attention in the seminal Freeze show in 1988, which featured artists such as Damien Hirst and Tracey Emin who, like Hume, were soon to acquire celebrity status as YBAs (young British artists).

From 1993 he began to engage with a much wider range of subjects including pop icons Michael Jackson and Kate Moss, images from childhood, such as polar bears, puppy dogs and snowmen and quasi-religious subjects seen in such works as The Cleric and Madonna. Hume’s most recent paintings are darker and more sinister in form and content. In addition, two of Hume’s sculptures of bronze snowmen have been placed in the grounds at IMMA

Slick, luscious and droll, Gary Hume's recent paintings bolster his position as one of London's most compelling younger artists. He exhibited 11 minimally figurative pictures, all dating from the last two years, rendered in super-glossy enamel on aluminium panels, most of which are between 5 and 7 feet in height. The schematic formats and exaggerated hues evoke British and American Pop of the early '60's.

Hume employs an exhilarating array of offbeat hues and indulges in clever textural effects, which enhance the irresistible appeal of his work. From afar, the compositions may appear facile and poster like, but, up close, the brushwork reveals itself to be fluidly applied and surprisingly painterly. When he depicts pretty human faces and stylishly omits mundane details, the results suggest Warholian portraits of unblemished, almost featureless glamour pusses. The young woman in Cerith (1997) is little more than a blank silver face and close-cropped blue hair, flattened against a bright yellow ground. Her pale yellow eyes are fringed by yellow-and-pink squiggles that signify lashes. A round pink from hovers near one ear lobe; is it an errant ear clip or an oversize beauty mark? Angle (1997) is a Mick Jagger-like apparition with wild yellow hair, a gray-blue face and a long exquisitely shaped neck. The eyes delineated in white, are superimposed on contrasting splotches of yellow-green and mustard.

The scarcely visible face in Whistler (1996), inhabiting an inky black setting, can be deduced from the presence of olive-green eyes and hands, with two fingers pushing green lips into a circle. A few tropical-looking leaves dangle overhead and a few pale-yellow letters are aligned along the bottom edge, as if evoking the sound of whistling in the dark.

Hume's excursions into outdoorsy subjects are similarly non-naturalistic's. In the Park (1997) presents a triad of colourful elongated trees that suggest wavy ladyfingers (in tan, avocado and strawberry pink) looming against a bright blue sky. High above is a white disk with a silver of orange crescent.

Hume's long, fluid brush stokes often resemble finger painting, as do the two sets of long, gently curved stripes in subtly muted colours that flank the "eye" of a large tail feather in Peacock (1996), a nearly monochromatic black painting. In Doves (1997), five birds with pale peppermint bodies, white eyes and silver-dotted shoulders, strut in profile off the lower right corner. The flock is deployed against a purplish-black field that fades fuzzily into a chartreuse border. In the centre of this dark Rothkoesque "cloud," viewers can make out a larger bird with spread wings, drawn with textured strokes.

At Goldsmiths, his contemporaries included Fiona Rae, Matt Collishaw, Sarah Lucas (Hume's then girlfriend) and Damien Hirst, part of a generation of artists that came to dominate British art. At first, remembers Hume, "I was just playing about. I never cared about embarrassing myself with terrible work." It all turned around on seeing a billboard. "Then I saw this advertisement for Bupa or something, and in the background was a hospital door and it looked absolutely perfect and I knew that I could make a painting of it."

His work was a fashionable blurring of the boundaries between image and object, and the art world was suitably impressed. The punters, meanwhile, Charles Saatchi among them, loved the fact that these elegant, mysterious paintings would also look rather good on their walls.

The doors were painted on MDF and aluminium, materials that have since become Hume trademarks. "I found that gloss paint suited me entirely, and its qualities still intrigue me. It's viscous and fluid and feels like a pool. It's highly reflective, which means there are layers of looking. You look at the picture, and you look at the surface, then you look at the reflection in the surface behind you, then you look at yourself." The ordinariness of household paint, a material we can all get our hands on, added another level to his work. Was Hume, who was once sacked from his job as a decorator for being too slow, asking his audience what it means to be a painter?

experimented with layered silhouettes of women in Water Pictures, and more naturalistic, less cartoon-like paintings such as Blackbird (1998). Despite his problems with gravity, there is sculpture, too. The snowman is a theme in his work, and he recently finished a piece consisting of three balls placed one on top of the other. This, says the man who claims there are no ideas in his work, harks back to classical sculpture: "The snowman is the perfect sculpture. Like the door was the perfect door. It works entirely in the round: you're supposed to be able to travel around it and there are no dead zones."

He has painted a new version of Moss for the White Cube show, with an unflattering doodle for a nose. He did Michael Jackson, too, with the same nose, reminding you of the singer's obsession with plastic surgery. "I tried to be as sympathetic as I could," says Hume. "I wasn't in any sense trying to ridicule him. I feel for him." Why Jackson? "The picture chose me - you know, he is a totally peculiar man." He finds inspiration in newspapers and magazines, and from other art shows, too. He gets a picture of what he wants to paint, traces it on acetate, and then projects the outline on to aluminium before painting it in.

At a certain point  i changed from using canvas to using aluminium as a painting support. There were technical problems that added to the urgency to change: because the canvas moves all the time - it expands and contracts with changing humidity - the surface is very fragile, and if you lean anything against it... Basically it meant that a lot of the paintings were cracking, especially where people were leaning things against them. And it had taken bloody months of painting each layer and sanding it down and painting it again to get that surface! So I thought, 'Oh my God, all I'm going to be doing for the next ten years is mending paintings that some poor sod has bought'. And I didn't want to end up in that situation.

Like a car spray shop, constantly repairing surfaces?

So then I was asking around and going to manufacturers, trying to find a suitable material.

Eventually I went to Mike Smith, who works on a lot of Damien Hirst's sculptures and makes a huge amount of artworks. I asked his advice and he suggested aluminium sheets. But when you weld the support bars onto the back of the panels, the heat dents the aluminium so you can't get it flat, and of course with gloss paint you see any fluctuations in the surface. So now the support bars are glued onto the back of the panels with an impact adhesive, and that's what I work on now.

Hume was among the first Young British Artists, or YBAs, to emerge in the BritArt scene of the 1990s. His degree show, on graduating from Goldsmiths, got him instant critical attention, and his work was bought by Charles Saatchi. Yet, despite being one of the best selling artists represented by the best selling White Cube gallery, he has never had the profile of his peers Damien Hirst and Tracey Emin. The explanation for this is easy enough: Hume is a painter, and in today's climate painting is not as sexy, or as newsworthy, as a chopped-up cow or an unmade bed.

Hume claims that he is happy to be out of the limelight, but angry at the media's skewed coverage of modern art. "The most tedious thing is this whole “shocking shit," he croaks. "Constantly. Like the only purpose of art is to shock the public. They try to make anything shocking that isn't shocking at all, and if it isn't shocking then it isn't worth looking at, which is very disappointing, because I don't do anything shocking." His paintings are instead easy on the eye, slick, shiny gloss paint on aluminium panels.

 

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How to Buy Original Art On E-Bay

Is not quite as simple as you might think! A search in the "Art" category for the word "oil" in either the title or description gets almost 7,000 hits. We need to be a little smarter!
Firstly, in what eBay categories might contemporary, fine art oil paintings be found? The seller could reasonably place such a painting in any of the following categories:
* Art:Paintings:Modern (1900-1979)
* Art:Contemporary Paintings:Other Contemporary Paintings
* Art:Contemporary Paintings:Traditional
* Art:Artists (Self-Representing):Paintings:O il
(Note that these are ebay.co.uk categories, unhelpfully, categories on ebay.com are completely different, see the eBay guide which covers some of the US categories.)
Unfortunately, only the last of these categories is specific to oil paintings so we need to search within those categories. Let's try a simple search within each category for the word "oil" in the item title only. This gives us the following item totals example-
* 2,228 - Art:Paintings:Modern (1900-1979)
* 204 - Art:Contemporary Paintings:Other Contemporary Paintings
* 732 - Art:Contemporary Paintings:Traditional
* 1,252 - Art:Artists (Self-Representing):Paintings:Oil
So, in theory there are over 4,000 oil paintings to choose from. Assuming they are all on 7 day listings, that means we have to look at 571 each day, just to keep up! In reality, there is some overlap - sellers can and do put items in multiple categories.

There are also some steps we can take to reduce this number further, but some hard decisions are required. Firstly, we could look at items in the UK only. Overseas shipping can be very expensive, redress may be more difficult, and many paintings sourced in the far east may only be painted once you have placed your order. A UK only search for oil, reduces the number to about 2,000.
We could also look only at private sellers, as many e-bay stores have hundreds of paintings that are constantly available, and many of them are repeated "popular" subjects that have been commissioned by the gallery just to sell on e-bay. They are fine as decoration but they are very unlikely to increase in value or have an interesting story to tell. Removing these to look at UK based private sellers only shows about 500 paintings available.
Unfortunately, some real world galleries do sometimes put unsold stock on to e-bay and these can be good bargains, so we cannot always dismiss business sellers. One approach is to exclude particular sellers, for example just two e-bay UK stores account for over 1,500 paintings.

Another approach is to search for the name of the artists you are interested in. This is unlikely to find many hits (except prints for very popular artists) as at any given time there are a very few established artists paintings available. Even so, it may be useful to create a saved search with your favourite artist names to run every week or so.
In short, there is no easy way to identify good, fine art original oils, but some of the following ideas might help:
* Search for "oil" in the listing titles of each of the categories above as often as you can; order the list by "time-ending soonest" and work through as far as you can.
* Modify your search to exclude the e-bay stores that do not stock the kind of art you are looking for.
* Run a weekly search for your favourite artist names anywhere in "art".
* Search for "oil" amongst private sellers as often as you can; order the list by "time-newly listed" and see if any potential bargains have arrived, especially if they are "buy it now" or "best offer".
* Watch the e-bay announcements to see if there are any changes to the category listings
* Put anything that interests you in your watch list
* Enjoy the art you buy!



 

Gary_Hume_Green_and_black_Orchid_painting

Gary Hume Green and black Orchid painting on rolled canvas painted with artists acrylic paint. Hand painted copy.

30" x 40" canvas

R.R.P. £179.99

SALE Price £97

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Gary_Hume_American_Tan_VI_Painting

Gary Hume American Tan VI Painting on rolled canvas painted with artists acrylic paint. Hand painted copy.

30" x 40" canvas

R.R.P. £179.99

SALE Price £97

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